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Triple K #9 & 48 - Cavalry Holster and Civil War Belt Rig for Black Powder Gun Groups 3 & 7 (Colt 1851/1858/1860, Remington 1858) - 7.5 - 8.0" - America's Gun Store, LLC
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Triple K #9, 48, 47, &127 - Cavalry Holster, Civil War Belt, Civil War Bullet Pouch, & Possible Bag Rig for Black Power Gun Groups 3 & 7 (Colt 1851/1858/1860, Remington 1858) - 7.5 - 8.0" - America's Gun Store, LLC
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Triple K #9 & 48 - Cavalry Holster and Civil War Belt Rig for Black Powder Gun Groups 3 & 7 (Colt 1851/1858/1860, Remington 1858) - 7.5 - 8.0" - America's Gun Store, LLC
Triple K #9 & 48 - Cavalry Holster and Civil War Belt Rig for Black Powder Gun Groups 3 & 7 (Colt 1851/1858/1860, Remington 1858) - 7.5 - 8.0" - America's Gun Store, LLC
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Triple K #9 & 48 - Cavalry Holster and Civil War Belt Rig for Black Powder Gun Groups 3 & 7 (Colt 1851/1858/1860, Remington 1858) - 7.5 - 8.0" - America's Gun Store, LLC
![Union Cavalry Soldier avec pistolet à Holster] 1861–65 Galerie d'art photographique de Tappin la croyance en la puissance de l'image photographique pendant les années de guerre, tant sur le terrain que sur](https://c8.alamy.com/compfr/2hhf1dn/union-cavalry-soldier-avec-pistolet-a-holster-1861-65-galerie-d-art-photographique-de-tappin-la-croyance-en-la-puissance-de-l-image-photographique-pendant-les-annees-de-guerre-tant-sur-le-terrain-que-sur-les-portraits-est-etonnante-cet-acte-d-autorepresentation-democratique-est-l-endroit-ou-les-pathos-et-l-aspect-poignant-de-la-photographie-de-la-guerre-de-secession-sont-le-plus-clair-dans-la-stare-apparemment-directe-transparente-et-influante-de-johnny-reb-et-billy-yank-ici-sous-l-apparence-d-un-cavalryman-inconnu-de-l-indiana-soldat-de-l-union-cavalry-avec-pistolet-a-holster-galerie-d-art-photographique-de-tappin-americaine-active-en-1860s-18-2hhf1dn.jpg "Union Cavalry Soldier avec pistolet à Holster] 1861–65 Galerie d'art photographique de Tappin la croyance en la puissance de l'image photographique pendant les années de guerre, tant sur le terrain que sur")
Union Cavalry Soldier avec pistolet à Holster] 1861–65 Galerie d'art photographique de Tappin la croyance en la puissance de l'image photographique pendant les années de guerre, tant sur le terrain que sur
